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  • Presidential candidates George W. Bush and Al Gore seem to be favoring entertainment television shows over the traditional news-based programs to appeal to the American public. NPR's Andy Bowers reports.
  • 119 years ago America was in shock. James Garfield became the second sitting President in less than 20 years to die from an assassin's bullet. Ironically, the inventor of the telephone had a machine that might have saved the President, but for a recent innovation in comfort, which got in the way. Historian Douglas Brinkley tells the story.
  • Puzzle master Will Shortz quizzes one of our listeners, and has a challenge for everyone at home. (This week's winner is Ralph McGrew from Binghamton, New York. He listens to Weekend Edition on member station WSKG in Binghamton.)
  • Today marks the first time that the people of Yugoslavia will elect their president directly. The incumbent, Slobodan Milosevic, appears to be vulnerable, according to the latest opinion polls. Liane speaks with Jacky Rowland from Belgrade.
  • Essayist Christopher Wynn finds that a visit to the local fast food restaurant can be a harrowing experience.
  • Australian sprinter Cathy Freeman has captured the interest of many at these Summer Olympic Games: she's the favorite in the women's 400 meter race and she is also Australia's best-known aboriginal woman. That's made her - unexpectedly - a national symbol. NPR's Howard Berkes has a profile.
  • Texas officials call it a "historic surge." Thousands of new arrivals, largely from Haiti, are straining an already overstretched system, and more are on the way.
  • Between chronic lack of sleep, identity shifts and heightened demands on time and resources, parenthood can be a tough transition. Life Kit asked parents to share what helped them through Year 1.
  • The art installation, called In America: Remember, will be on display at the National Mall for more than two weeks. It honors the more than 660,000 lives lost to COVID-19 in the United States.
  • The country legend's new album returns to some of her commercial roots, telling stories of domestic betrayal in grand yet thoroughly grounded fashion.
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