Lily Meyer
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AI may be the topic du jour, but for now only a human can read attentively and sensitively enough to genuinely recreate literature in a new language, as translators have done with these three works.
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Iraqi poet Faleeha Hassan's memoir War and Me, Mexican novelist Brenda Lozano's Witches, and Uyghur novelist and social critic Perhat Tursun's The Backstreets have a few broad commonalities.
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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Klay won acclaim for his debut story collection Redeployment, about the experiences of soldiers. His long awaited novel looks at how America has developed and exported the idea of a war on terror.
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Taffy Brodesser-Akner's debut novel seems like a Portnoy-esque tale of a lovable lout, but halfway through, the story shakes itself up and reorients itself in a completely different direction.
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Newly reissued, the intellectual heft of Françoise Gilot's now classic memoir is in its art criticism, even as its emotional arc lies in Picasso and Gilot's unequal romance.
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If Melinda Gates had fully owned her goal — writing a book that would strengthen some readers' abortion-rights convictions and open others' minds — she would have called for greater advocacy.