Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Original Fiction In All The 'Shades' Of Fandom

E.L. James signs copies of her book <em>Fifty Shades of Grey</em> at Comic-Con in San Diego on Thursday.
Nina Gregory
/
NPR
E.L. James signs copies of her book Fifty Shades of Grey at Comic-Con in San Diego on Thursday.

This Friday the 13th, fans of horror films and hobbits, science fiction and fantasy are descending upon the San Diego Convention Center. They're gathering for the annual explosion of pop culture fandom that is Comic-Con. One of the biggest phenomena in pop culture at the moment will be making an appearance, and it's not a man of steel or a boy slinging webs.

It's a 40-something woman who writes... wait for it... steamy romance.

Snowqueens Icedragon — that's not her real name — began her wildly successful literary career posting stories on fanfiction.net, a site where amateur writers share original stories starring characters from existing properties. Think Harry Potter, Buffy, Doctor Who. Her story, called "Master of the Universe," was inspired by the young-adult vampire series, Twilight.

"I just thought it was a passionate love story. I found it erotic," the mysterious author tells NPR's Nina Gregory. And it didn't take long for her work to ignite passion among readers, who posted tens of thousands of reviews. Anytime she posted on another fan fiction site, twilighted.net, the traffic would crash the site. Eventually, a small publisher appeared. Then a bigger one, and a new pen name.

"My name's E.L. James," she says. "I'm in my 40s and I do lots of laundry. And write books."

Those books are the Fifty Shades of Grey trilogy. They evolved from Twilight fan fiction into pretty hard core erotica. In just four months, the books have sold 20 million copies.

To put things in perspective, the Dragon Tattoo trilogy took four years to reach those numbers. Fifty Shades occupies four spots on The New York Times best-seller list: that's each of the books, plus the box set. It was the first title to sell a million copies on the Kindle. But this success was nothing James ever sought — or imagined.

"It is everywhere, yes," she says. "That's a shock to me."

Perhaps it's such a shock because the books came from fan fiction. Two years ago, James was here at Comic-Con on a panel of fan fiction writers, long before the books ever existed. She knows the fan fiction community is passionate about many things, including its gift economy.

"It's free. It's fun and it's free," says Suzanne Scott, a media scholar at Occidental College who studies fan culture. "Part of the reason that these texts circulate for free is because they build community. And there's a sense that once you start selling those pieces of fan fiction, the values of that community [dissolve]," she adds. "There's an anxiety that fandom is going to be transformed into a place where people go to go pro."

Francesca Coppa, who teaches English and film studies at Muhlenberg College, studies the genre. She explains the reasons many writers want to remain amateurs.

"Nobody says, 'Wow! You play the piano great, why don't you become a professional pianist?' " she says. "And so you have a world where very talented people may do things because they enjoy them and they're actually quite good at them, but they're really not interested in taking this into a commercial, professional arena."

While James did wrestle with whether to go pro, she doesn't appear to have any regrets. "There are two things about all this whole experience that I have found incredibly rewarding," she says. "The one that it brings women together, to discuss it, to have fun, to debate it. The other thing is ... people who haven't read books for years are reading it."

That was apparent at Comic-Con, amongst the legions of fans lining up to get their books signed.

Plans for a movie are in the works. And for fans who can't wait for their next fix, there's always Fifty Shades fan fiction.

Copyright 2023 NPR. To see more, visit https://www.npr.org.

Nina Gregory is a senior editor for NPR's Arts Desk, where she oversees coverage of film across the network and edits and and assigns stories on television, art, design, fashion, food, and culture.